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Compare Alpha and Alpha Pro side by side: the newer model drops the 4-pin XLR socket.

D&A Alpha Review: A Smaller Desktop DAC/Amp With More Power

D&A's second desktop DAC/amp drops the 4-pin XLR jack, shrinks the chassis, and lands at ¥2,999 with a warmer tuning aimed at everyday headphone listening.

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D&A's second desktop unit, the Alpha, shows up after the Alpha Pro and does something pretty interesting for a cheaper model — it strips away a connector, shrinks the whole thing down, yet somehow delivers even more punch. That 4-pin XLR balanced output? Gone. Analog input too. But here's the kicker: D&A says the Alpha actually hits harder than the Pro. At 500 USD, it's built for your desk. Plug in a computer or tablet, and suddenly you've got a proper sound card that keeps headphone listening straightforward.

What's Different From the Alpha Pro

Compare Alpha and Alpha Pro side by side: the newer model drops the 4-pin XLR socket.
Fig. 1. Alpha vs Alpha Pro
Plug a 6.35mm or 4.4mm cable straight into the Alpha's front panel.
Fig. 2. Front panel outputs
Turn the large knob and read the level from the lit ring around it.
Fig. 3. Volume control ring

Put them next to each other and the gap is obvious right away. The Alpha's got a shallower, more compact chassis. Both keep the 6.35mm and 4.4mm outputs up front, but the Pro has that 4-pin XLR on the left side — the Alpha doesn't. The Pro also takes analog input; Alpha skips it entirely, so it's strictly a DAC/amp, not a standalone amplifier. You lose some connector flexibility, sure, but D&A claims you get back the drive in spades.

Inside, there's a dual ESS9039Q2M DAC and a four-channel fully balanced discrete amp stage doing the heavy lifting. We're talking 9W into 32Ω from the balanced output and 2.5W single-ended. Output impedance sits below 0.1Ω. That's what's packed into this little box.

Warmer, Fuller — Same DNA

Run a 4.4mm balanced cable to sensitive in-ears without noise creeping in.
Fig. 4. Balanced connection for IEMs
Feed a full-size headphone from the front jack when a bigger load needs driving.
Fig. 5. Single-ended for full-size headphones

Where the Alpha Pro is all about tight control and precision — sharp lines, clinical detail — the Alpha relaxes. The sound opens up and warms. Vocals sit a bit closer, feel more present, which works better for pop and vocal stuff. The Pro's cooler, more detached vibe gets swapped for something friendlier. The highs are open, almost glossy, rather than sharp.

Toggle TONE-X mode by holding the OUTPUT button, and things get even warmer with extra harmonic texture, without sacrificing the treble. Then there's the pairing range — both super-easy-to-drive IEMs and power-hungry flagships play nice with it. The balanced output gives sensitive IEMs tons of headroom while staying whisper-quiet, and it's got the juice for harder loads.

Actually Fits on Your Desk

Park the Alpha on a desk to drive headphones from a computer or tablet.
Fig. 6. Desktop setup
Route digital sources through the rear inputs and send line out to powered speakers.
Fig. 7. Rear connectivity

The smaller size is the real-world win. It takes up about as much room as a mousepad and can run headphones straight off your laptop or tablet — no stack of gear needed. On the back: USB-C, optical, coaxial digital in, Bluetooth 5.3 with LDAC, RCA and dual XLR outs for powered monitors. Wireless playback built right in, no dongles. The Pro didn't do that.

Bottom Line

The Alpha ditches the 4-pin XLR and analog input to get smaller, warmer, cheaper, and — by D&A's account — stronger. If you're a desktop listener around 500 USD who wants one device to handle IEMs and full-size cans, that tradeoff doesn't feel like you're settling. Minus the "Pro" badge, it still feels like one.


10 comments
  • Yes, the output power is quite high.

     Maya Collins

  • Quick question, can this drive the Paradise 2?

     Chris Bennett

  • Can an 800 be sold?

     Ethan Parker

  • Can it drive an 800?

     Jordan Lee

  • For pop this one is better; the Aquila III has higher treble density.

     Evan Scott

  • How does this compare with the Aquila III? Which is better for power and sound quality?

     Emma Clarke

  • It won’t drive everything to the max, but it drives things pretty well.

     Taylor Brooks

  • This one looks so good.

     Liam Carter

  • Plenty of full-size headphones now come with 4.4mm connections too.

     Olivia Reed

  • A balanced XLR jack is a hard requirement for me — half the headphones at home still use XLR balanced cables.

     Avery Mitchell

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